SHAKESPEARE STUDIES
Volume LII Contents
Forum: Shakespearean Second Acts
Introduction
Mary Thomas Crane
Shakespearean? Second Act?
Ayanna Thompson
Reimagining Education
Emily C. Bartels
Wrighting Theater History
Carla Della Gatta
No Book But the World
Mary Jo Kietzman
Career Moves in an Academic Game
Gina Bloom
What’s Shakespeare to the Prison, and What’s the Prison to Shakespeare?: Wrestling with the Value of Shakespeare Behind Bars
Kevin Windhauser
“To double business bound” – On being a Shakespearean and a Writer of Fiction
Brinda Charry
“Perchance to Dream…”
Andrew J. Hartley
Shakespearean Double Lives
Emma Whipday
Introduction: Next Generation Plenary
“We keep doing this don’t we?”: Disrupting Racial Trauma in Performances of Harlem Duet
Rebecca Hixon
A Discursive ‘She’: The [Mis]Prints and Possibilities of Emilia in Shakespeare’s Othello
Lindsay Adams Kennedy
Personating Animals on the Early Modern Stage
Chris Klippenstein
Discharging Rafe: Protean Performance in The Knight of the Burning Pestle
Emily McLeod
Articles
From Melodrama to Tragedy and Back – Closing the Melodramatic Gap between Bollywood and Hollywood Shakespeare Adaptations
Kinga Földváry
Locating Herself, Finding Her Voice: Mapping the Queen’s Story in Shakespeare’s Richard II
Laura Higgins
The Theater of Conscience: Reforming Punishment in Measure for Measure
Wesley Kisting
The Political Philosophies of Brutus and Cassius in Julius Caesar and the Theory of Preventive Tyrannicide
Wolfgang G. Müller
“Please, just no Shakespeare”: Station Eleven’s Utopian Economy of Cultural Distinction
Greg M. Colón Semenza
Reviews
Shakespeare and University Drama in Early Modern England
By Daniel Blank
Reviewer: Emily D. Bryan
Shakespeare / Text: Contemporary Readings in Textual Studies, Editing and Performance
Edited by Claire M. L. Bourne
Reviewer: Paul Werstine
The Trials of Orpheus: Poetry, Science, and the Early Modern Sublime
By Jenny C. Mann
Reviewers: Marjorie Rubright and Stephen Spiess
Entertaining Uncertainty in the Early Modern Theater
By Lauren Robertson
Reviewer: William N. West
The Cambridge Companion to Shakespeare and Race
Edited by Ayanna Thompson
Reviewer: Jean E. Howard